Objectively Wrong: Slow Movies
Parker’s Dad joins the boys to discuss his general dislike of slow movies, but only a select group of slow movies. Some of them he thinks are great, some of them he thinks suck, and they’re trying to figure out what separates the two. Tune in to help them figure out what Tim is talking […]
Objectively Wrong: Slow Movies
Parker’s Dad joins the boys to discuss his general dislike of slow movies, but only a select group of slow movies. Some of them he thinks are great, some of them he thinks suck, and they’re trying to figure out what separates the two. Tune in to help them figure out what Tim is talking […]
After the Credits: Bullet Train, Prey, The Sandman
Alison returns and the crew overcomes some camera issues to discuss and review a trio of movies (and show.) Listen to Alison attempt to defend the so-called charisma of Aaron Taylor Johnson, Brendon talk about his favorite line in all of cinema, and Parker obsessing over his favorite comic book.
After the Credits: Bullet Train, Prey, The Sandman
Alison returns and the crew overcomes some camera issues to discuss and review a trio of movies (and show.) Listen to Alison attempt to defend the so-called charisma of Aaron Taylor Johnson, Brendon talk about his favorite line in all of cinema, and Parker obsessing over his favorite comic book.
Episode 9: Studio Interference
Studios, Producers, and Distributors are constantly blamed for getting in the way of an artist’s “creative vision”, but how true is that really? The boys look at examples where studio interference helped movies to become better, and also where they made the movie significantly worse.
Episode 9: Studio Interference
Studios, Producers, and Distributors are constantly blamed for getting in the way of an artist’s “creative vision”, but how true is that really? The boys look at examples where studio interference helped movies to become better, and also where they made the movie significantly worse.